*This post originally appeared on Roger Ebert’s Far Flung Correspondents*
I will do most anything to avoid thinking.
At the hint of strenuous thought I flee. I run like the dickens. I do not want my world to be disrupted.
Seventy five percent of my energy is spent repairing a glorious cocoon of comfort. Inside this shelter there is no overhead lighting, only lamps. There are no cold mornings or metaphysical crises. Everything is as it should be. Every question is easily answered. There you will find me licking my wounds, secretly enjoying the tang of blood and pus.
Thankfully, for the health of body and soul, this cocoon is under constant siege. The valiant twenty five percent of life force that remains does all in its power to destroy a sheltering that in reality is more prison than sanctuary. This twenty five percent is Saint George. The cocoon is the terrible dragon. It is death.
As Cocteau said “comfort kills creativity.†You will find me angrily hissing this to myself all day every day. On good days I heed the wisdom of the french man. On bad ones I refuse.
On the days Saint George loses this battle I immediately review a list of movies and TV shows I have carefully programmed for pacification purposes. These are films I have seen numerous times. I know the plot and dialogue by heart and so don’t need to pay any attention to them at all. I use them only for their mood elevating qualities. Some of them are actually great films (Mr. Blandings Builds His Dream House). Others just happen to have a lot of sunlight (Housesitter).
But at the top of this list are five movies. Films that have held the top positions for over twenty years. MGM’s The Thin Man (1934), After the Thin Man (‘36), Another Thin Man (‘39), Shadow of the Thin Man (‘41), and The Thin Man Goes Home (‘45).
Song of the Thing Man (1947) is not included. I never did like it.
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